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  • <autoplay speed=5></autoplay>“Adam smith demonstrates with mad chic & disconcerting ease his full vocal power...”

    — resmusica

  • "Adam Smith is the real revelation of this evening"

    — Bachtrack

  • "Lookout for a major new British tenor on the international scene"

    — Opera Now Magazine

  • "Adam Smith who played Cavaradossi... was the real winner of the evening"

    — Scherzo Editorial

  • "But the one who stole the applause was Adam Smith..."

    — Opera World

  • "Smith's opening piano high G was incredibly controlled"

    — Bachtrack

  • "Smith's incredible lyric power and vocal peaks blazed and burned with full-bodied richness..."

    — Opera Today

Hailed as the “tenor that the whole opera world is talking about” (Marie Claire) and a “revelation” (Bachtrack), Adam Smith is known for his voice that “overflows with dramatic conviction and heroic impact” (Opera Now Magazine).

Recent standout roles include Don José in Carmen at the Royal Opera House, Cavaradossi in Tosca at the Staatsoper Hamburg and Roméo in Roméo et Juliette at Washington National Opera.

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Recent Performances

- BHMagazino

iPad mockup of Adam Smith's BHMagazino Cover Story

“The next big thing”

The rising star British tenor, who made his debut at the Greek National Opera, has in recent years carved out an enviable international career performing major roles in the French and Italian repertoire. Don José from Carmen by Bizet, Mario Cavaradossi from Tosca by Puccini, and the Duke from Rigoletto by Verdi are some of them.

But Hoffmann from The Tales of Hoffmann remains one of the most important and most beloved, a role in which he has found the perfect canvas to express all his musical and acting qualities.

Read the cover feature

headshot of Adam Smith, Tenor

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